A Little Something

It is a little acknowledged but universally true fact that every girl has at some point in her life experienced a sudden fluttering in her chest the moment she sees a little object of something or another, that for a thoroughly inexplicable reason, has wholly and irrevocably captured her heart. "Oh my gosh, this. is. SO cute!". 

Immediately following our vacation at the end of August, we will move in once and for all to our new apartment! And so these days I've been scrolling along Le Marais, little streets filled with boutiques of every kind (especially home décor), contemplating which and what kind of arrangements would be appropriate for our new home. White or color picture frames? Paintings or modern art? Eclectic or matching? Wholly white silverware or with some fine detailing? It is really quite difficult shopping for a home you have yet to live in. 

While we bought most our furniture already during a massive trip to Ikea last week (we decided on the two primary colors so far: white and wood. It's going to be contemporary on the modern side with a splash of light wood hues), I'm still scoping out where I can buy the little things.

I love things that have meaning, so everytime I look at them, it reminds me of a moment or event in my life that made me feel something. This diffuser that I bought on Tuesday is small and simple, but it will always remind me of three things: 1) my friend in New York, 2) the girl at Jo Malone, and 3) that things are always better when you wait for them.

Diffuser for the Home: English Pear & Freesia by Jo Malone

I was first introduced to Jo Malone by a friend in New York, who begged me to smell the scents at their store. I had a coup de foudre with English Pear & Freesia, which reminded me of a little girl playing with clean linens her mother had just washed. It was so simple, fresh, and pure, not to mention the gorgeous black and white packaging with a small black bow. I left that day thinking I already had one too many perfumes. 

Many months later, I was now in Paris, and saw their stores everywhere. Each time I would go in and smell the scents, but would never buy it. I never had a reason.

Finally, this week, it was an Asian girl working there who greeted me. Soft spoken and with a lovely smile, she had none of the motives of a typical sales person. She was genuinely interested in sharing the scents with me, and we began talking. I soon learned that she was a student studying in Paris, just like me. We also liked many of the same things. 

When I couldn't decide on the perfume, I saw the room diffuser that was the perfect décor item for our new apartment. A scent in the foyer that I'll come home to everyday and be able to share with W and friends (who come over for tea, hehe). And even though the girl and I never exchanged contact information, I know I'll never forget her. 

And what do you know, I scented our room that night and W absolutely ADORED it!


Musée Jacquemart-André

I finally stumbled upon number 158 on Boulevard Haussmann, a street full of handsome residences I could only dream of living in one day. Only a small red banner tucked behind the trees indicated signs of this little musée, as if it didn't want to be found. Oh, subtlety, even when being pretentious, has always been such a French thing. 

a small red banner of the museum

path leading to the entrance of the mansion

The end of July marks the second month that I've been in the City of Lights. When I haven't been traveling, I've been strolling the streets, getting to know each arrondissement and its personality. Today, apartment affairs took me to the 8th for the signing of dossiers, so I had the opportunity to explore this very proper part of Paris with mostly large office buildings and elegant residences.

In the very French tradition (of secret passages and courtyards), the grand entrance of the mansion was tucked away in the back, led by a path from what one would believe to be very typical French front doors off Boulevard Haussmann. 

Édouard André and wife Nelie were the sole owners of this residence. They had no children, but as passionate and knowledgeable patrons of art, spent their whole lives collecting Venetian, Dutch, and Flemish paintings, tapestry and statues to collect in this home.

foyer/entry room

green room

The décor and rooms all reflect an aristocrat's life in 18th century France: Édouard was born into a Protestant banking family. Nelie, however, I will let you discover on your own as to where she came from. :)

The home reminded me much of the Newport Mansions in Rhode Island, USA. Unlike art in homes there however, which were bought in entire collections (just to reflect one's wealth), the paintings in Jacquemart-André were a life's worth of work, curated by far more knowledgeable patrons who devoted themselves to art. 

details on the ceiling of the Salon

elegant staircases

the two story grand ballroom, 16th century tapestries on the second floor

The first surprise of the mansion came with the sheer size and grandeur of it all. Property is incredibly expensive in Paris, and the fact that this mansion still stands today on one of the most sought after streets is quite incredible (most of the mansions along 5th ave in NYC have long been destroyed to pave way for modern infrastructure). 

And the second surprise? The incredible variety in rooms. I won't spoil it with photos, but from green rooms to libraries, ballrooms to studies, rooms for art collections to actual residential bedrooms, this property has it all. 

Oh, and if you're looking for some afternoon sun. Here are some free benches just in front of the museum. :)

Tips:

1. This is a gem of a museum in Paris. Go during the weekdays to avoid crowds.

2. The visit comes with an audio guide for free, and takes about 1.5 hours.

3. Come early in the afternoon so you can have some afternoon tea in the lovely, parisian, highly-rated café afterwards.

4. Admission: 10 Euros for students/ 12 Euros for others

Bordeaux Vineyards

"We cannot talk about Bordeaux wine without talking about ze terroir," our tour guide articulated proudly with her thumb and index fingers together, stressing the r's (arhhhh's) in her last word. "Bordeaux's vineyards are deeh-vided into 60 appellations (regions) of 284,000 acres. Each type of wine is adapt-zeed to its region and...terroir (-arhh). You cannot make Margaux wine in Saint-Émilion. No no! You must make Margaux wine in Marrhhgaux. The Margaux wine varieties have been adapted to ze terroir (-arhhhh). Any-zing else will be no good." She looked at us. "You understand?"

It was a 45-min drive from downtown Bordeaux to the Châteaux (literally castle, but here meaning entities of vineyards, usually 100-150 acres, owned and operated separately either by families or now, modern day companies of shareholders). On many of these vineyards still sit castles of all sorts, which back then hosted the families who owned them as country estates away from the city. 

One of the real Château's on the Château

Today, we were just 20 miles northwest of the city of Bordeaux, in the region of Margaux, famous for producing some of the best red wines in the world (or should I say ze :P).

As we drove past hundreds of acres of vineyards, we learned that Romans first planted them 3000 years ago. During this extraordinarily long history, the wine varieties such as Cabernet Sauvignon, Cabernet Franc, Merlot and Malbec, were especially created for the specific terrain of Bordeaux. And so despite being planted elsewhere in the world, they will never produce as well as here in France.

My immediate impression was that the vines all appeared much shorter than I had imagined, just 1-2 meters above ground. Apparently, because Bordeaux wines are known to last a long time (up to 3-4 decades), this requires that the juice be more concentrated than others, to allow for the gradual thinning of taste without loss of body or flavor. To accomplish this, Bordeaux vines are pruned extraordinarily short, resulting in the production of much less, but far more concentrated juice.

Bordeaux Vineyards - it's hard to get a picture just driving! They are highly protected from people walking through them (mostly forbidden) to ensure the highest of quality.

In a country obsessed with everything natural (GMO's are banned entirely), it's not a surprise that Bordeaux vineyards are never irrigated. This is called the hydro-stress method, which forces vines to grow enormous roots of 8-12 meters into the ground to find water. The average around the world is just 3-4 meters.

Château Margaux's facilities for fermentation

Most châteaux produce their wines on site, from harvesting to fermentation to aging. And so in these enormous barrels (many of which are now steel instead of wood to facilitate cleaning), the grapes are canned for fermentation. 

It was surprising to see how clean and high-tech these facilities were. In Margaux, drones are used to take pictures of the vineyards from above to differentiate the already ripe grapes from those still needing some time. 

And of course the aging process, which takes place in these oak barrels (each of which costs up to 900 euros, and changed every couple of years), helps to add that wonderful oak flavor to the red wine. 

Oak Barrels for aging

And the most important thing that I learned on my tour? That a wine from Bordeaux is never just a Cabernet, or a Merlot. It's always always a blend, and named only after its appellation. So next time you see a wine named Merlot, you know it's definitely not from Bordeaux (or France)!

We went on the Ophorus Wine Tour, which was excellent.

This post is part of the 12-day, 5-city Eurotrip in July 2014.

Florence, Italy

After a mere hour and a half flight from Paris, we landed in Florence, Italy, leaving beige cream colored aristocratic French architecture for the red roofs, tan walls, and artisan creations of the Great Renaissance.

A small city set in the valleys of mountains by the river, Florence is much smaller than it appears on map, and entirely walkable by foot.

After munching on our first Italian pizza in a small mom and pop restaurant and devouring a huge cup of tiramisu and raspberry flavored gelato, we wandered towards the river. 

Situated on top of the Pinto Veccio bridge were actual buildings, once home to goldsmiths of the medieval ages, but now jewelry boutiques of every kind. 

Our next stop was the Bibboli Gardens just behind the Pitti Palace, which were built on raised grounds with views of the city below. The expansive lands of these grand, beautifully sculpted gardens contrasted with the rest of the city’s small winding alleys and streets. 

and so we walked up...

and up...

and up!!! :)

We slept lazily until noon the next day, and keeping with the slower pace of life in Europe, took our time brunching well into the afternoon. 

After brunch was the Uffizi Art Gallery...and then a short hike to the top of Piazzale Michaeleganlo, a plateau with stunning views of the entire city from the east. 

After some olives and red wine with the magnificent view below, we walked back down west along the river, with the sunset before us casting long warm shadows on the ground. We sat down on a bench, gelatos in hand, and listened to the music of a songstress singing nearby.

 

This post is part of the 12-day, 5-city Eurotrip in July 2014.